Tuesday, October 7, 2008

The Icelandic internet bank, Icesave, has suspended all 300,000 of its UK customer accounts, leaving account holders in the United Kingdom unable to withdraw or deposit any funds. A message on its website posted this morning states:

“We are not currently processing any deposits or any withdrawal requests through our Icesave internet accounts. We apologise for any inconvenience this may cause our customers. We hope to provide you with more information shortly.”

The internet bank, owned by the Icelandic bank, Landsbanki (Landsbankinn), which was recently nationalised in an attempt to rescue it, has been hit by the global financial crisis. Reports from the United Kingdom suggest that the traders and city are preparing for the parent company to be declared insolvent, leaving customers to recover their monies through a financial compensation scheme being backed by the Icelandic Government. The plan will cover the first € 20,887 (Approx £16,300 / $28,720), the remainder of the customers funds being recovered through the UK’s own financial compensation system.

Following the decision to nationalise Landsbanki, the Icelandic Prime Minister, Geir Haarde, who introduced and signed the emergency legislation into law, stated:

In describing and explaining its actions in nationalising the bank, the Icelandic Financial Supervisory Authority issued this brief statement:

In response to the deepening world financial situation, the Dutch government has this afternoon increased its savers protection from €38,000 to €80,000 effective immediately, to help secure the financial status of its savers within Holland. Icesave also has a Dutch branch, icesave.nl – their website was unreachable at the time of this article.

Friday, July 17, 2009Following similar threats by workers at New Fabris and Nortel, workers at JLG in Tonneins, France, threatened to blow up several platform cranes. The JLG factory announced in April 2009 that it will fire 53 of its 163 workers by the end of 2009, while the remaining 110 jobs will not be secure over the next 2 years.

JLG Tonneins was acquired in 2006 with its parent JLG Industries, a maker of aerial work platforms, by the U.S.-based Oshkosh Corporation. Despite being hugely profitable in the past, production has been much reduced since 2008 with the contraction of the construction industry and lower demand for its products. Despite excellent past results the new American management demanded sweeping cuts at the company.

In the view of locals, “the company’s actions are a disgrace given the expensive perks, such as official cars, for its corporate fat cats, compared to the sacrifice, silence, and dignity demanded by the company of those it has made redundant.”

The management offered severance pay of € 3,000 (US $4,200), however the workers demanded a severance package commensurate with “the wealth that their labor has generated.” Worker’s delegates requested a “supra-legal” payment of € 30,000, on Thursday 16 of July the management responded with a counter offer of € 16,000. On Thursday night the worker’s actions secured the € 30,000 settlement initially demanded.

Tuesday, April 14, 2020

In February 2017, the Iranian Chess Federation announced two teenage chess players, Dorsa Derakhshani and her younger brother Borna Derakhshani, were banned from representing the national team. The federation announced their decision although Dorsa Derakhshani had previously decided and informed the chess federation she did not wish to play for Iran.

Dorsa Derakhshani is currently 21 years old and holds the International Master (IM) as well as Woman Grand Master (WGM) titles. Her brother, Borna, plays for the English Federation and holds the FIDE Master title.

Dorsa Derakhshani was banned since she did not wear a hijab, an Islamic headscarf, while competing at the Tradewise Gibraltar Chess Festival in January 2017. Under the laws of Islamic Republic of Iran, hijab is a mandatory dress code. Her brother Borna Deraskhsani was banned for playing against Israeli Grand Master (GM) Alexander Huzman at the same tournament. Iran does not recognise the existence of Israel, and previously, Irani athletes have avoided playing against Israeli athletes.

Mehrdad Pahlavanzadeh, the president of the country’s chess federation, explained the decision to ban the players saying, “As a first step, these two will be denied entry to all tournaments taking place in Iran and in the name of Iran, they will no longer be allowed the opportunity to be present on the national team.” ^{((fa))Farsi language: ?????? ????? ?? ??? ??? ?? ??? ????? ?? ?? ???? ???????? ?? ?? ????? ? ?? ??? ????? ?????? ??????? ????? ??????? ? ???? ???? ???? ?? ??? ??? ?? ??????? ????.} He further stated, “Unfortunately, something that should not have happened has happened and our national interest is paramount and we have reported this position to the Ministry of Sports.” ^{((fa))Farsi language: ????????? ?????? ?? ????? ????????? ?????? ??? ? ????? ??? ?? ?? ?? ???? ?????? ???? ? ?? ??? ???? ?? ?? ????? ???? ?? ????? ?????.}

IM Dorsa Derakhshani, who currently studies at Saint Louis University in the United States and plays for the United States Chess Federation, discussed her chess career, time in Iran and the 2017 controversy, and her life in Saint Louis with a Wikinews correspondent.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Friday, November 6, 2009

Sports memorabilia collector Zhao Xiaokai has amassed 5,000 condoms left over from the 2008 Olympic Games in Beijing and is offering them for sale at auction. Each condom is stamped with the motto of the Olympics in English and in Chinese: “faster, higher, stronger”. The Beijing Olympics condoms are offered for sale as part of an auction of Olympic memorabilia. Starting price is one yuan, which is equivalent to US$0.15 or £0.08. The condoms will be sold as a batch.

The 5,000 Olympic condoms are the remainder of a 100,000 production run that were distributed free of charge to athletes who competed in the games. Olympic organizers have been providing free condoms to athletes since the Barcelona Olympics of 1992.

This is the first time that condoms have been sold at public auction in China. Guo Lei of the Sport Collection of China Collector Association, which hosts the auction, told the press that the condom portion of the auction is intended to raise public awareness of HIV and AIDS, although he also expressed concerns that potential buyers may be too embarrassed to bid.

Zhao Xiaokai is offering several other items for sale in the same auction, including an Olympic torch signed by Brazilian footballer Pelé. Neither the collector nor the auction organizers have disclosed which athletes provided the unused condoms.

Sunday, April 18, 2021

According to multiple reports, India recorded its 14 millionth case of COVID-19 and new infections of over 200 thousand on Thursday, causing multiple hospitals running on full capacity.

The 200739 new infections is twice what was seen during its last peak in September, rising after the superspreading events such as political rallies in local and state elections and religious events, official complacency and highly infectious new variants of the virus. According to Reuters, the government blamed wilful disregard of social distancing measures and face mask mandates. A Railway Protection Force officer told The Telegraph (Kolkata) “[t]he number of unmasked passengers was much more last month. The renewed surge in Covid numbers has triggered some caution but many are still without masks.”

According to CNBC, India overtook Brazil as the second-most infected country on April 12, though still behind the United States. The new strain has forced hospitals into drastic measures, including two or three patients sharing a bed at Lok Nayak Hospital and converting over a dozen hotels and banquet halls in New Delhi into COVID-19 treatment centres. The states Maharashtra, Madhya Pradesh and Gujarat among others have reported a shortage of oxygen; India Today reported on the Ahmedabad Medical Association pleading the state government for oxygen, writing to Gujarat chief minister Vijay Rupani “[i]f such conditions persist, the death toll will rise, violence against doctors will increase and doctors will be forced to shut down their hospitals due to lack of oxygen supply”.

Nationally, the government has shifted its focus from vaccine exporting to domestic production, entering 114 million jabs in peoples’ arms — the third-most, behind the US and China — and three million on Wednesday after recently approving for emergency use its third vaccine: Russia-developed Sputnik V. The government maintains there is not an oxygen shortage and that the primary issue with distributing inoculations to states is over-planning, not a supply shortage.

New Delhi announced stay-at-home orders and shuttered restaurants, malls, gyms and spas, with an exception for movie theatres at limited times and at limited capacity. Mumbai went further Wednesday, closing most industries, businesses and public places and restricting movement of people amidst a surge of labourers to the city. In addition to many cities and towns, the epicentral city of Maharashtra imposed a curfew, with only essential services open between 8pm and 7am. The Central Board of Secondary Education (CBSE) Class 10 exams have been cancelled, and Class 12 exams postponed.

There has also been 1038 new deaths, adding to the total death count of over 173 thousand and putting a strain on local cremation centres and burial grounds. It remains fourth in its death count after the US, Brazil and Mexico.

Wednesday, February 13, 2008

Jaslene Gonzalez is not your typical model. She rose to fame after winning Cycle 8 of America’s Next Top Model, and since then, has been aggressively tapping into the fashion industry. As a result of her Latin background, Gonzalez has been successful at marketing herself both in the English-speaking and Spanish-speaking worlds. However, Gonzalez is much much more – a fighter, a humanitarian, and a good Latin granddaughter.

Born in Chicago to a Latina mother, and a Puerto Rican-born father, Gonzalez had, in many ways, a typical U.S. Latino experience – her tight knit family, grandparents, and spirituality played an intrinsic part in her upbringing.

“I went to an all-girl Catholic school and grew up with tons of family…..My family was very close knit and supportive. They were involved in my life everyday. So there was so much joy in every little occasion…..Every Sunday we would go to my grandmother’s house where we [the family] would hang out together….We enjoyed being around each other and being together,” states Gonzalez.

Her grandfather was the director of a local dance group, Viva La Gente, which Gonzalez credits with impacting her life positively.

“I was a dancer for 12 years and life revolved around dancing. I was a very active girl, and was always involved with my grandfather’s dance studio. The whole family was. My aunts, my cousins – everyone took part in performances and were involved in the group…That’s how we spent our summers, and we looked forward to being outside, dancing salsa, hip hop, merengue,” states Gonzalez. Through her involvement in the dance studio, Gonzalez’s horizon was broadened significantly, and her humanitarian streak began to deepen.

“We were always constantly traveling. We traveled to Mexico to poor villages where we gave performances to give back to the community,” said Gonzalez.

Ironically, ANTM gave her the opportunity to overcome her own difficulties and to further help those in need. “I went in there, without knowing that I was in an abusive relationship. They were the ones that brought that up to me…they felt I was emotionally destroyed, they wanted me to get support,” commented Gonzalez. While the ANTM staff was supportive, she also credits her life long dream for helping her get out of the abusive relationship.

“Having a dream and having a goal in life, is the most important thing I did in my life. Because of that I maneuvered my way to that dream. I knew I was better than that, I wanted to be happier,” stated Gonzalez.

Soon after winning ANTM, Gonzalez became a spokesperson for Liz Claiborne and the National Domestic Violence Hotline, and began traveling the country reaching out to women.

“We had several meetings, and they asked me to be a spokesperson. I was so happy and blessed to help women, to have that title. It’s something I want to do, besides modelling….I enjoy sharing my personal experiences because I can educate them, but I can also save someone’s life. It’s something precious, it’s a gift,” stated Gonzalez.

Abuse is not the only obstacle Jaslene has had to face. Growing up Latina had its own set of difficulties. “Being a minority is a challenge no matter what,” states Gonzalez.

However, Gonzalez also states that being a Latina has many positive aspects in regards to her profession. “As a Latina, you have the advantage of being a Latina. Not only do you have this corporate job, but you can relate to many groups as a person.”

When asked if the fashion industry forces Latina models to change certain aspects about themselves, she remarks that she focuses on always staying true to herself. “Modeling is a difficult job because of what you go through. 80% of the time it’s a no…When I go in, I go in like me, I don’t have to change anything. Any time I get a chance to show who I am, I do. I am a Spanish girl, trying to pursue my dreams. I try to be the best I can be,” remarked Gonzalez.

It is that same confidence and will to succeed that she seems to appreciate in other woman. “I find women beautiful. I find a girl with no makeup, not worrying about her style and appearance, I find that sexy. I find confidence beautiful…Its so simple. It’s being natural and confident,” said Gonzalez.

As a role model, she has two key pieces advice that she offers women: nurture your mind with positive thoughts, and identify and foster the principles in life you value.

It is not surprising to see why Gonzalez’s family is proud of her. “My family is so funny. They are so happy. I’ve never seen them so full of life. My mom acts like she won. My grandmother screams ‘mi flaca‘ every time she sees me. They are so proud. Especially my grandparents. I was practically raised by them. To see them see you so happy and successful, there couldn’t be a better feeling,” said Gonzalez.

She adds that her grandparents would be extremely happy if she appeared on Cristina, the Spanish-language talk show whose host is referred to as “the Spanish Oprah Winfrey.”

In the coming years, Gonzalez plans to continue on the path she is on. She wants to continue gracing magazine covers, as well as dedicating herself to helping young teens develop self growth and esteem. “Every time I wake up, God gives me the opportunity to be a better me…Life gets better as it goes by.”

This is the third in a series of articles with America’s Next Top Model contestants.

Wednesday, April 25, 2007

An unnamed Polish man, 35, is being treated at a hospital in London, England after he cut off his penis with a knife at Zizzi’s pizza restaurant on Strand Street in the city of Westminster.

“We were called at 9.00 p.m. on Sunday to a restaurant on the Strand to reports of a man in possession of a knife. Officers attended to discover a man believed to be 30-40 years old suffering from an injury. He was taken to a south London hospital in a stable condition. No one else was injured and his injuries are believed to be self inflicted,” said a Scotland Yard spokesperson.

Police had to use CS tear gas on the victim in order to subdue him to get him to the hospital to receive medical attention.

Witnesses say that the man came into the restaurant, picked a knife up off the floor of the kitchen and then got onto a table and cut off his penis.

“At around 9 p.m. on Sunday, a man walked into the Zizzi restaurant on The Strand, down the stairs to the basement restaurant area and tried to enter a kitchen. Members of staff stopped him, at which he ran into a second kitchen area. The man then picked up a kitchen knife and slashed himself across the wrist and groin areas before running back into the restaurant, where he continued to stab himself,” said a spokesperson for the restaurant.

Surgeons are attempting to reattach his organ in what doctors call the first time this kind of surgery has been performed in the UK. It is not yet known if the operation was successful.

“If it doesn’t take, then you would have to re-amputate it. Attaching the penis is a very long, complex and painstaking operation,” said Francis Chinegwundoh, a urologist at St Bartholomew’s Hospital which is located in London. Chinegwundoh also said that that the victim will not feel his penis and it will not be possible for him to maintain an erection unless he uses a special machine, even if the operation were a success.